Have you ever watched a show that felt like it was wrapped in a cosmic blanket of fate? If the Power Universe ever comes to an end—and considering those wild astrological winds, that’s still a big “maybe”—Power Book III: Raising Kanan is already standing out as one of its greatest gems!
The saga of Kanan Stark, our soon-to-be supervillain, goes way beyond the expected origins. It’s a vibrant tapestry woven with the stories of a captivating ensemble who sculpted the man who would eventually make Ghost’s life a living hell.
Ultimately, Kanan’s journey encapsulates far more than just his rise to villainy; it’s a sincere reflection on family dynamics, crime, and the relentless cycles of violence and survival that intertwine us all—like a nasty Mercury retrograde that just won’t quit!

Other installments within the Power spinoff realm have often felt like climactic battlefields, wrapping up tensions with dramatic flair, such as the explosive conclusion of Power Book IV: Force. Yet, Raising
If the Power Universe ever ends one day, and honestly, that’s a big if, Power Book III: Raising Kanan will go down as one of its best creations.
The origin of supervillain Kanan Stark was so much more than anyone could have expected, with a colorful cast of side characters who helped shape the man who terrorized Ghost and company as an adult.
At the end of the day, Kanan’s story was about much more than just him; it was a bigger indictment of the complicated dynamics of family, crime, and the cycles of violence and survival that can emerge when they become intertwined.

Other Power spinoffs have felt centered around something, like things coming to a head in a big war like the recent ending of Power Book IV: Force, but that was never going to be the end of this story.
Power Book III: Raising Kanan Season 5 Episode 8 wasn’t about Kanan winning some big battle with his enemy or even about seeing who was going to live and who was going to die.
It was about seeing how this chapter of Kanan’s story ended. The chapter before Ghost and Tommy, before Shawn, and before everything that would come in the future. It made for a finale with much lower stakes, but perhaps one of the more moving Power finales yet.
Considering what a massive deal Marvin’s death felt like in Power Book III: Raising Kanan Season 5 Episode 7, it felt like a footnote in this somewhat extended hour, which is a shame because Marvin deserved better than that.
Perhaps that was due to the shortened season, or maybe it was always going to be this way, but it was noticeable how much was crammed into this hour, which made it feel less compelling overall than it could have been.

I don’t think anyone was expecting Kanan to be broken up over what he’d done, and that was abundantly clear in the beginning, though this was the first hour in a long while that zeroed in on Kanan’s emotional state.
And while that was nice to see, it was too little too late in many ways because this was something that could have been built up the entire season.
This season we saw the full villainization of Kanan, and at no point did it seem like he was ever conflicted about his crimes, or even more importantly, his decisions.
Had we seen glimpses of him showing anything other than true apathy about everything around him, it would have made some of the more emotional beats hit even harder than they did.
Much of this final hour for Kanan was him coming to terms with the position he was in and the very real possibility that after killing two of his uncles, he was going to have to bury his mother next.

Kanan’s entire trajectory, from Power Book III: Raising Kanan Season 1 to the present, has revolved around peeling back his many layers and watching Kanan move from honor student to high-time drug dealer with a penchant for murder.
And this season has been about seeing what happens when a kid is completely desensitized to his surroundings, beaten down by a lifetime of deception, and ultimately hollowed out, leaving an emptiness that overrides all other emotion.
Outside of Power Book III: Raising Kanan Season 5 Episode 1, we got very little of Kanan and Raq, and that was likely by design so that their final interactions would hit that much harder.
But honestly, some of the most effective moments were those leading up to their big streetside conversation.
For Raq, even with her life on the line, it was surprising to see her ready to give in to the FEDs, but when you’re out of options, you’re more likely to do things that are outside of your character.

And being a snitch is so far outside of who she is.
It was funny to see Kanan so reluctant to be a snitch and get whisked away from the city, especially because that was what sparked Raq to remember her roots, because Raq has spent so much of the past five seasons acting as though Kanan wasn’t capable of being smarter or more savvy than her.
The concept of Raq being a snitch was almost as ridiculous as the concept of Raq begging a man to keep her safe, which is why I despised that she even had to go to Pino for protection, but again, there were so few options for her.
Now, I could be misremembering the past few seasons, but why was there so much emphasis placed on Stefano having this big crush on Raq and her not reciprocating, which was in part why he was so hellbent on destroying her?
That was not the way I interpreted their dynamic, especially after she spurned him.

It felt like an odd narrative choice to lean so heavily on it, especially to the point where Pino was willing to spare her life in exchange for giving herself to him to piss Stefano off. Huh?
There was something off about this entire thing when there were other narrative choices that could have been taken to get to Pino or Stefano getting the drop on the other, which was always going to end with Pino and Stefano turning on each other.
Do I believe Raq could bring two grown men to war? Absolutely. But that just hasn’t felt like the story they’ve been trying to tell.
Ultimately, Kanan being a factor in all of this was the biggest surprise, and his conversation with Stefano was the most poignant of the hour.
You can easily forget that Kanan’s still so young when you see the way he behaves and carries himself. He’s had to grow up so quickly, and he has no whimsy about him.

He’s like a jaded sixty-year-old man stuck in a teenager’s body at this point.
When he went to see Stefano and basically confessed to him that he was feeling very conflicted about the idea of his mother dying, it was the most honest, raw, and unguarded Kanan we’ve seen in ages.
He wasn’t hiding behind a tough veneer that felt more calculating than authentic, but instead, it sounded like a son who wasn’t ready to say goodbye to his mom.
Stefano actually showing compassion felt wrong for various reasons, but it was clearly juxtaposed to Lump telling him he was the devil, basically. And apparently head over heels for Raq!
So much of the series is Raq hurting Kanan but then bending over backward to protect him, and in this final hour, it was Kanan protecting her, though in a much more subtle way that did feel steeped in honesty.

We’ve always known that no matter what, Raq would protect Kanan, but the same could never really be said for Kanan. I think if you took a poll before this episode, the majority of people would have concluded that Kanan maybe would have hesitated and then ultimately killed Raq if push came to shove.
So, to hear him admit that he’s not ready to see her go was momentous, not in a shocking way, but in a human one.
When he then met up with Raq and the two of them bared their souls, it was incredibly tender and real. Neither one was trying to act as if this conversation, or Kanan sticking his neck out for her, was going to magically fix everything that was broken.
Things break that will never heal, but that doesn’t mean you no longer care about them.
It’s wild that for a few minutes while they were standing on that street, I felt an overwhelming sense of sadness for both Raq and Kanan, which is a testament to the stellar writing and acting on this series.

I was completely engrossed in that scene; with every silent tear and every word they shared, it felt like we traveled back to the earlier seasons when the bond was so strong, and it did feel like it was them against the world.
You could see just how hurt and broken they both were and how tired they’ve become. It was everything to hear Kanan say over and over again that she needed to talk to Stefano because he wanted to save her life.
And to hear Raq actually admit she did something wrong? Well, that should have been my clue she wasn’t long for this world because that is not something she does.
Above all though, it was beautiful to see them both get a chance to be vulnerable with one another, and it meant something to both of them.
There were no games in that conversation, but just a son and mother who’d lost their way, and even if they never found their way back, at least they’d know that, for one brief moment, they had finally been able to see and understand one another.

If only they knew while they were having their big, sweeping moment, Jukebox was just around the corner planning their demise.
As much as Raising Kanan was about helping us to understand adult Kanan, the same could be said for Jukebox.
We didn’t spend nearly as much time with the adult Jukebox, but she was also a broken and cold person in the same way Kanan was, and now we know exactly what happened to get her there.
Marvin’s death was certainly the tipping point, but she’d long since lost her innocence with every loss in her life and every setback. Marvin was the last genuine connection she had, and the only thing in her life she loved.
Without him, Jukebox had nothing.

Flossie may have been Marvin’s best friend for real, because she was quick to tell Jukebox that Kanan killed him and offered up very little resistance when it became clear what Jukebox was going to do.
Killing Kanan was the play, right? An eye for an eye and whatnot. But when she saw Kanan and Raq embracing, she went scorched earth, and I have very conflicting feelings about this.
Both Kanan and Jukebox were ruthless, so her deciding to punish Kanan by killing Raq felt very much in character, but damn, to have Raq go out like that? It wasn’t wholly satisfying to me.
Especially because Jukebox did it purely to be petty, not because Raq had ever done anything to her. Honestly, Marvin would hate it, but I guess the moral of all this was that Jukebox didn’t care anymore.
Many people have wondered how Kanan and Jukebox had any relationship as adults if Jukebox knew Kanan killed Marvin. Still, we can now see that in their own twisted way, they felt they were even with one another.

And they didn’t make a move on each other in all the years that followed, presumably, because they both knew that in death, they’d actually be doing the other a favor.
The fact that Jukebox even lied to Kanan about Raq’s final words shows how lost and gone she was, and of all the endings we’ve gotten thus far, this may be the one that sums up Power best.
Maybe family isn’t that complicated. Maybe family is family until ambition, greed, and, well, the pursuit of power becomes greater than blood.
Maybe then family is nothing more than shared names, secrets, and scars.
It’s people bound together at birth and pushed apart by choice.

The greatest lesson Power Book III: Raising Kanan may have taught us is that becoming the person you’re supposed to be may require losing the people who meant everything to you.
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I have mixed emotions about this one, though ultimately, it was a fitting ending to this chapter of Kanan’s story. Knowing this isn’t the last we’ll see of him definitely allows you to view this episode a bit differently.
But as a series? Power Book III: Raising Kanan will forever reign as the best Power spinoff.
It’s been a pleasure covering this one, guys. The Power Universe holds a special place in my heart, and I’ll be back for what’s next!
Please let me know all your thoughts on this one and the series as a whole!
You can watch the entirety of Power Book III: Raising Kanan on the STARZ app.
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