Taylor Swift’s ‘Showgirl’ Stuns Box Office—But Why Did Dwayne Johnson’s ‘Smashing Machine’ Crash and Burn Like Mercury in Retrograde?
Added on October 4, 2025 inMovie News Cards
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Well, well, well — it looks like Taylor Swift just moonwalked her way to the top of the box office with her latest cinematic surprise, Life of a Showgirl. Heading for a weekend haul somewhere between $28 and $35 million from nearly 3,700 theaters, it’s the kind of debut that makes you wonder if Mercury’s in retrograde, throwing last-minute curveballs at the rest of Hollywood while Taylor stays flawlessly on point. Now, compare that to Dwayne Johnson’s The Smashing Machine stumbling out of the gate with a mere $6 million projected weekend — talk about the cosmic scales tipping in Swift’s favor! With an A+ CinemaScore from fans (mostly Swiftie queens, naturally) and a secret launch that would make even the most seasoned astrologer double-take, Swift’s project is less a concert film and more a mystic lyrical odyssey for die-hard fans only. Meanwhile, Johnson’s wrestling drama is feeling the sting of the stars with a lukewarm reception. Is Swift’s celestial alignment just that sharp, or did the cosmos send her a lucky break? Either way, it’s clear the showgirl’s spotlight is blinding this weekend — and we’re all just lucky enough to bask in it. LEARN MORE
Taylor Swift‘s Life of a Showgirl special theatrical event is rocking at the domestic box office, where it’s headed for a first-place finish with a weekend haul of at least $28 million to $32 million from 3,702 theaters, according to estimates from Swift’s team and partner AMC Theatres. Rival distributors, however, have it earning north of $35 million.
Whatever the outcome, those numbers are in sharp contrast to ticket sales for the Dwayne Johnson-led wrestling drama The Smashing Machine, which is bombing in its domestic debut. Playing in 3,345 theaters, the A24 release earned $2.7 million on Friday for a projected weekend opening of $6 million, versus the $12 million to $14 million it was expected to earn.
The movie — an awards vehicle for Johnson — is looking at a third-place finish behind Showgirl and holdover One Battle After Another after getting slapped with a B- CinemaScore from audiences. (Critics have been more kind; it’s current score on Rotten Tomatoes is an okay 77 percent.)
Conversely, Taylor Swift: The Official Release Party of a Showgirl earned a coveted A+ CinemaScore from her fans, just as her history-making concert film Eras Tour did. Nearly 90 percent of Friday’s moviegoers were female.
Swift’s team went to great lengths to keep the Showgirl project top secret until the 11th hour (they almost succeeded, but not quite), much to the chagrin of other distributors who don’t like last-minute surprises. She announced the Oct. 3-5 special event on Sept. 19 in a well-orchestrated social media post informing fans that advance tickets would go sale that day at 12:12 local time for $12, in keeping with Swift’s longtime relationship with numbers (Showgirl is her 12th studio album). Consumers can expect to pay notably more than $12 for premium large format screenings.
Showgirl, playing in theaters for only three days, can best be described as a series of lyric videos for tracks on her new album, music videos and behind-the-scenes footage. And it’s anchored by the world premiere of the music video for Showgirl single “The Fate of Ophelia,” which she directed.
In 2023, The Eras Tour concert pic catapulted Swift to box office fame when it opened to a huge $93.2 million domestically on its way to becoming the top-grossing concert film of all time with $261.6 million in global ticket sales. The superstar and her team financed the $15 million project, bypassing the Hollywood studio system in partnering with AMC Theatres to distribute the film. AMC Theatres Distribution is likewise releasing Showgirl in partnership with Variance Films in the U.S. and Canada, and with Piece of Magic Entertainment in other international markets.
According to THR‘s review of Showgirl, “The 89-minute cinematic experience — neither visual album nor concert film, and not quite a documentary — is strictly for the diehards. But while there’s something to be said for the communal experience of absorbing an album surrounded by dozens of like-minded fans, what’s actually being served up on screen is more filler than killer.”
Directed by Benny Safdie, Smashing Machine reunites Johnson with his Jungle Cruise co-star and good friend Emily Blunt, who played a key role in bringing Johnson and Safdie together. The film is based on the real-life story of Mark Kerr, a former college wrestler who battled trauma and an addiction to painkillers during the early years of the UFC. It marks Johnson’s first time making a play in the awards space.
Another weekend offering is James Cameron’s Avatar: The Way of Water, which is being rereleased exclusively in 3D. Like Swift’s team, Cameron and partner 20th Century/Disney are using the box office for promotional purposes: this Christmas, Avatar: Ash and Fire opens.
The movie will be playing in 90 percent of all Imax auditoriums domestically, but will have to share Dolby Cinema screens and other premium large-format auditoriums. Way of Water is projected to earn $2 million to $3 million domestically from 2,100 theaters.
More to come.
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