Isn’t it curious how the cosmos align to remind us of the celestial dance between life and legacy? Paula Shaw, a consummate character actress whose chameleon presence graced everything from spine-chilling horror in Freddy vs. Jason—yes, she was Jason’s mom—to the cozy glow of Hallmark holiday flicks, slipped gracefully from our stage at 84. Born under the expansive skies of a July sun in the Bronx, Shaw not only embodied a host of memorable roles—from a coroner in Nolan’s Insomnia to a quirky history teacher in Mr. Young—but she also moonlit as a soulful guide, leading “The Max” workshop at California’s Esalen Institute for nearly three decades. Imagine a Virgo moon nudging her into profound self-expression and theatrical healing, blending raw emotion with humor and joy, a true alchemist of the arts and spirit. As Mars currently energizes bold transformations, one wonders if Paula’s legacy whispers to budding actors and seekers alike, challenging them to leap beyond known limits and craft their own authentic narratives. Her star continues to twinkle across Vancouver, Los Angeles, and Big Sur—even as she’s taken her final bow.
Paula Shaw, the veteran character actress who portrayed Jason’s mother in the horror crossover film Freddy vs. Jason and appeared in a string of heartwarming Hallmark Channel holiday movies, has died. She was 84.
Shaw, who led a workshop called “The Max” at the Esalen Institute in Big Sur, California, for nearly 30 years, died Wednesday in her sleep in Vancouver after a lengthy illness.
Shaw also played Wulla Jean, the original owner of the Chicken Ranch, in The Best Little Whorehouse in Texas (1982), starring Burt Reynolds and Dolly Parton, and she was a coroner in Christopher Nolan’s Insomnia (2002), starring Al Pacino.
Plus, she was the clueless history teacher Mrs. Byrne on all three seasons (2011-13) of the Canadian sitcom Mr. Young.
In Freddy vs. Jason (2003), she took over for Betsy Palmer as Jason’s mother, Pamela Voorhees.
Shaw portrayed Charlotte Jeffers, the stubborn mother of Andie MacDowell’s character, on the first season of the Hallmark Channel drama Cedar Cove in 2013, and the cable channel would keep her busy with roles in such holiday films as Hitched for the Holidays, Picture a Perfect Christmas, A Mrs. Miracle Christmas and Round and Round.
She often played the wise, witty grandmother.
Born in the Bronx on July 17, 1941, Shaw began acting onstage as a teenager. After graduating from Bard College, she studied with legendary acting teacher Uta Hagen for about nine years while appearing in off-Broadway plays and in summer stock.
After relocating to Los Angeles in the late 1960s for the West Coast debut of Gus Weill’s groundbreaking play Geese, she auditioned for Lee Strasberg and was invited to join The Actors Studio.
Shaw was also a member of the improv group Synergy Trust in the early 1970s, when she began showing up on television on such shows as Ironside, The Bob Newhart Show, Starsky & Hutch, Barney Miller, Three’s Company and Lou Grant.
Her résumé would also include TV appearances on 21 Jump Street, The X-Files, The Commish, Terminal City, Supernatural and Van Helsing and films including the Linda Blair-starring Savage Streets (1984), Witchfire (1985) and Reindeer Games (2000).
Shaw began leading EST (Erhard Seminars Training) graduate seminars in the ’70s, and that would evolve into a lifetime spent helping actors as well as “civilians” break through barriers to find and harness their authentic voices.
“Never could I have predicted how acting and healing might come together for me, nor how powerful that joining would become,” she once wrote. “I discovered that the secret to well-being and self-fulfillment was to ongoingly challenge personal limits of who I think I am and what I’m capable of creating in my life.”
She led “The Max: Stretching the Limits of Your Self-Expression” and other workshops at the Esalen Institute and elsewhere.
“Using a blend of theater technique, improvisational games and personal growth expertise, she created and facilitated a platform for thousands of people to discover, traverse and maximize the reaches of their creativity and self-acceptance,” officials there said in a statement.
Shaw “had a talent for masterfully guiding workshop participants to remain aware and present ‘in the moment’ while safely exploring and expressing their raw emotions of love, anger, fear, need — all balanced with humor; always with lots of joy and laughter in equal measure to the tears.”
Shaw divided her time among Vancouver, Los Angeles and Big Sur and continued to act and workshop until recently.
Survivors include her sister, Greta; brother-in-law Gary; nephew Nicholas, his wife, Raphaela, and their daughter, Elowy; and godchildren Marissa and David. Services will be announced here.
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